Showing posts with label Changing. Show all posts
Showing posts with label Changing. Show all posts

Friday, 29 July 2011

How Google Maps is changing the face of data

Already incredibly useful for helping us get directions, find the nearest grocery store and find out our state capital, Google Maps is now becoming the hot way to display enterprise or organizational data that’s associated with particular places. As a data visualization method, the timing of this trend isn’t surprising. The concept of big data has opened organizations’ eyes to the value of their myriad data sources — many of which are tagged with geo-location information — and now is opening up new ways to process and display that data.

IBM’s Jeff Jonas described the importance of geospatial data at our Structure: Data conference in March, calling it “prediction super-food.” You can watch the video below to get the full (and rather entertaining) explanation, but here’s a summation: geospatial, or space-time, data adds context to the information we already have, allowing us to make better decisions. Using a puzzle analogy, lots of data without context is like a pile of puzzle pieces, but lots of data with context is like those same puzzle pieces coming together to complete the picture.

Geospatial adds an incredible amount of context. It allows for complex tasks such as tracking of people as they go about their business to help determine who’s connected to whom, or predicting where someone might go next and what’s the best route to get there. If we’re talking about a spreading disease, Jonas explained, geospatial data helps us determine its vector and velocity.

This is where Google Maps comes in, because it presents an intuitive way to visualize and consume that data. You’re not just looking at times, places and other information in text form, but you’re seeing it in relation to time and space.

Last week, for example, I covered the aptly named Space-Time Insight, whose product overlays real-time data atop Google Maps (among other interfaces). It lets customers visualize what’s happening and then act accordingly based on whatever their needs happen to be. California ISO, for example, uses Space-Time to see where wildfires are burning and determine where they’ll travel next, as well as to monitor energy prices and conditions in numerous locations and adjust the grid supply accordingly.

Wednesday, SAP announced a similar partnership with Google that lets SAP applications overlay their data on Google Maps. To demonstrate the breadth of possibilities for data-plus-maps mashups, SAP suggested a handful of possible scenarios:

A telecom operator could use Google Earth and SAP BusinessObjects Explorer software to perform dropped-call analysis and pinpoint the geo-coordinates of faulty towers.A state department of revenue could overlay household tax information on a map of the state and group it at the county level to track the highest and lowest tax bases.A mortgage bank could perform risk assessment of its mortgage portfolio by overlaying foreclosure and default data with the location of loans on Google Maps.With SAP StreamWork, a team of customer support representatives in a consumer packaged goods company could collaborate and pinpoint the location of consumer complaints within specific geographies and make a decision regarding how to address and prioritize resolutions.A theme park operator could use the Google Maps API Premier and get real-time traffic information on attractions with SAP BusinessObjects solutions to send rerouting messages to customers in order to improve satisfaction rates.U.S. census data could be overlaid on a Google map of the country, grouped by state and drilled down on at the county level.

Something tells me we’re only getting started when it comes to fusing big data, advanced analytics and next-generation displays. The truth is that we’re still a long way from mastering the capture and analysis of big data streams, which arguably are necessary steps before tackling the visualization issue. It’s difficult to even imagine how we — or our machines — will be consuming data 10 years from now considering how far we’ve come in the past few years. But we’re off to a very good start.

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Friday, 22 July 2011

Why changing Twitter’s 140-character limit is a dumb idea

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Maybe it’s the influence of Google+, but suddenly everyone seems to be talking about what’s wrong with Twitter. First it was the quintessential social-media early adopter, Robert Scoble, complaining that the arrival of Google’s social network has made Twitter “boring,” and recommending all kinds of things the service needs to do to change. Now Slate columnist Farhad Manjoo has jumped into the act, arguing that Twitter needs to drop its famous 140-character limit in order to be more competitive. Both are missing the point. Sometimes, a social network that just does one thing well is much better than one that does a whole lot of things poorly.

That’s not to say there aren’t plenty of things that Twitter could do better. Scoble is right when he says that the initial experience with the service — what product managers love to call the “onboarding process” — is not great, something that the company itself has effectively admitted a number of times. The single most popular question I get from people when they first start using Twitter is “What do I do now?” It’s not clear how to follow people, whom to follow, how re-tweeting and other features work, and so on. Even some long-time users are confused by things like why some followers can’t see certain messages when they start with the @ symbol.

But these are growing pains that lots of companies have — they are not about pivotal or crucial flaws in the product itself. In many ways, Twitter is a classic example of a service that fills such a need for people they will continue to use it even while they complain bitterly about how unusable it is.

But wouldn’t it be better if Twitter offered better video and image embedding like Google+, or included engagement metrics with each tweet like the kind you can get with Topsy, or made it easier to follow conversations, as Scoble says they should? Not necessarily, no. In fact, some of those things could clutter up what has become a great example of a simple service that does something useful really well — namely, allows people to post and distribute their thoughts and links quickly and easily. As Costolo put it in an interview at a recent tech conference in Colorado:

If you just look in the sideview mirror at what are particular companies doing, and then you start to say Twitter is going to be the world in your pocket — now with video chat! — then you lose your way… we’re going to offer simplicity in a world of complexity.

The trap Scoble has fallen into is what’s known as the “feature-creep” problem, and it’s something tech executives and product designers are prone to: instead of focusing a on one or two things, they constantly add to the list of features, so that a great and simple product or service eventually becomes a dog’s breakfast of competing doodads and gizmos. As more than one person has pointed out about Apple, great design often consists of figuring out what not to include, and stripping a product down to its simplest form — or “saying no to 1,000 things,” as Steve Jobs has described his approach to product design.

Manjoo’s piece suffers from a similar problem, which is comparing the service in question to every other service, and then wondering why it doesn’t have those features. Why doesn’t Twitter let you post videos right in the stream? Why doesn’t it let you post messages that are longer than 140 characters? If only it did that, it would be perfect.

The point the Slate writer misses (or hints at, and then discards) is that if it did this, it wouldn’t be Twitter any more. As far as I’m concerned, the 140-character limit is one of the most brilliant things Twitter has ever done — and might even explain why it is still around, let alone worth a reported $8 billion or so. Not only did that limit feel comfortable to many users who were familiar with text messaging, but it restricted what people could post, so that Twitter didn’t become a massive time-sink of 1,000-word missives and rambling nonsense, the way so many blogs are.

I’m not the only one who has noticed that on Google+, things often stray more towards the rambling-nonsense end of the spectrum than they do on Twitter. Does Twitter encourage a “sound bite” kind of culture, as Manjoo argues — or what Alexis Madrigal describes as a “call-and-response” approach, rather than real conversation? Perhaps. But a long and rambling post followed by hundreds of comments on Google+ isn’t really much of a conversation either, when it comes right down to it.

In the long run, it’s good that Google+ is providing some competition for Twitter. Maybe the ability for users to share comments with different “Circles” of friends and followers on Google’s network has Twitter thinking about how it can make better use of groups and other features. That’s a good thing. But throwing out some of the core aspects of what make Twitter useful, or cluttering it up with all kinds of other features of dubious merit doesn’t really make any sense at all. And I think Twitter knows that.

Post and thumbnail photos courtesy of Flickr user zert sonstige

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Friday, 8 July 2011

Redefining Business Creativity - Ten Businesses Who Are Changing The World


In recent years, business has been given a bad rap. Global warming, war, environmental destruction, refugee displacement, and erosion of human and worker rights, and child hunger and starvation can all be traced back to the behavior of business driven by the profit motive. However, for every business who falls into this category there are, literally thousands of others whose activities make a significant contribution to the well-being of their staff, communities, ecologies and planet.

The common thread between these businesses is not always immediately obvious. They come in many different shapes and sizes. They include large corporations, family businesses, local cooperatives and collectives, cottage industries, not-for-profit organizations, and simply those individuals with an idea whose time has come. These businesses are also diverse in their focus, vision and activity ranging from carpet manufacturing, to cosmetic sales, accounting services, community art, software developers and news services.

Rather than purpose or structure, the common thread between these organizations is that, together, they are redefining the concept of creativity in business. Traditionally, creativity has been seen as something to do with innovating new products and services. These businesses however, reflect a much more thoughtful uptake of creativity and are driven by creativity as a set of principles. These businesses engage ten principles of creativity not as something to be exploited in pursuit of the next big profit, but conversely as the purpose for which we ultimately seek to make our profits.

Principle 1 - Consciousness & The Body Shop

Creativity starts with consciousness - a willingness to be present and aware of this moment in all of its glory and all of its horror. There is perhaps no greater example of a business who applied the principle of consciousness than the Body Shop.

When the first Body Shop opened in Brighton (UK) during the 1970's, the global cosmetics industry was based on a chain of supply that depended on the exploitation of people, land and animals on an unimaginable scale. The willingness of the Body Shop not only made cosmetics its business, but also made it their business to be completely conscious of the source of its ingredients. This was, at the time, almost unheard of and critics forecast that seeking to base a business on consciousness would never survive.

Over 40 years later the Body Shop is continues to be one of the most significant players in the cosmetics industry, and still retains its focus on supply consciousness and public awareness. The Body Shop pioneered what it means to be fully present and acknowledge the sometimes harsh reality of current business practices - rather than covering it up with glossy brochures. The consciousness of the Body Shop established an imperative for creating new possibilities so strong that innovation and change was inevitable. Businesses who are willing to acknowledge the genuine reality of current circumstances establish fertile ground for creating change.

Principle 2 - Courage & Greenpeace

When we think of courage in business we typically revere the Donald Trumps of the world who take risks with big money that mostly seem to "pay off". However, courage in creative businesses has a different meaning.

Perhaps there is no more obvious example of genuine courage in business than Greenpeace. This work of this not-for-profit business focuses on peaceful action that gives voice to, and protects, those living in our world who do not have a voice of their own.

Greenpeace upholds the type of courage that gives rise to genuine creativity. Creative businesses such as Greenpeace are not willing to stand by and say "that's not my problem, that has nothing to do with me". Courage is not about only about taking risks, but is reflected in the sorts of risks that businesses are willing to take.

Like Greenpeace, businesses who are creative have the courage to take full ownership of their own part in humanity, of their desires, their fears, their passions, their responsibilities and their possibilities. Creative businesses have the courage to do their work that does not come at the cost of their connection to the communities that they belong to.

Principle 3 - Connection & SimpleSavings

Businesses with the courage to take ownership of their own thread in the fabric of humanity, open up possibilities for connecting themselves to people and communities on a level that matters. This connection creates a wholeness that is not possible otherwise, providing the basis for creativity that has meaning, relevance and integrity.

SimpleSavings is a small web-based business run by a stay-at-home mum. This business provides a platform for a community of individuals sharing ways of saving money and reducing consumerism in real terms. This business now has over 40, 000 customers and over 8.500 unique saving and spending strategies in their ever-growing "vault".

SimpleSavings is an example that when one business has the courage to take ownership of the issues that matter, they generate a deep and profound connection with people. This connection provides an essential element for creativity in business because genuine creativity is a collaborative process that is enriched through diversity and participation.

Principle 4: Conscience & Australia Zoo.

A business that is made up of people who form an authentic connection to the world around them establish the basis of business conscience.

One of the most inspirational examples of a business with conscience is Australia Zoo, founded by the parents of the late Steve Irwin. As well as being a fully commercial tourist attraction, the conscience of this business sparked probably an immeasurable impact on changing the world. Profits from this business are funneled back into wilderness rehabilitation and the establishment of sanctuary. Importantly, this business has also been a pioneer in conservation education, and it is likely that the full impact of Steve Irwin's legacy is yet to be fully felt.

When business conscience is based on guilt, it creates a drain on both the finances and energy of businesses. Australia Zoo demonstrates that instead of guilt, the conscience of a truly creative business is based on passion. Conscience in this context provides the spark and energy required to reveal the creative possibilities beyond the every-day.

Principle 5: Compassion & Amnesty International

Finding genuine compassion is probably one of the greatest challenges for businesses in realizing their full creative potential. Sympathy for people or issues considered a "worthy cause" is easy pickings for businesses. However, genuine compassion emerges out of a willingness to do what it takes to be inclusive and encompassing. Genuine compassion requires more than a grants chequebook.

Amnesty International has made its business out of genuine compassion, This not-for-profit business responds to issues that are neither popular nor attractive by seeking an end political oppression and violence in all of its forms. These guys tackle the hard issues of human rights, including for people who society would prefer to forget. Amnesty International is often the only voice representing people who, for whatever reason, have been deemed unworthy by societies or governments. Amnesty International provides the same attention to women and children oppressed by gender-based violence, as they do to convicted murders on death row.

Amnesty International shows us that the true test of compassion is when business is asked to apply it to people who are "not worthy". The finding of common ground with those we see as "the Other" is essential to businesses who are creating futures that are free from conflict and oppression based on race, gender, age, economic status or any other characteristic.

Principle 6: Commitment & Inclusion Press.

When genuine compassion is found (as opposed to "giving" sympathy to "worthy causes") it can often be overwhelming for businesses. Commitment is the quality that allows businesses to set about creating their vision despite its enormity.

Inclusion Press is one business who demonstrates a humble commitment to creating their vision. This business develops and publishes resources, tools and workshops that support schools, families and teachers working to include all children, including those with "disabilities". Their vision is for schools that are child-centered, rather than centered on curriculums and standards.

Like Inclusion Press, all creative businesses have a vision which seeks to address fundamental needs of humanity over the long term, rather than quick profits or quick fixes. This type of creativity therefore depends on a commitment to be in it for the long haul, even when the end is not always easily in sight.

Principle 7: Confidence & FotoKids

Confidence is a peaceful stance that invites - rather than coerces - others to join and participate in creating the vision for the business.

FotoKids is a fully functioning business that seeks to create new possibilities for children growing up in the city slums of Guatemala. This business is run by the children themselves (some as young as four years old), who undertake photography classes and produce documentaries and art works for galleries. Money generated by the sale of photographs, is used by the children to fund their education and family income.

Rather than seeking to "convince" others, or to limit the space available to competing voices, creative businesses have a focus on opening up and creating dialogue. The confidence of a creative business is reflected in its willingness to trust its own voice and the voice of the people who have a stake in the vision.

Principle 8: Contribution & the Creations out of the Blue Ltd.

Rather than an identity of entitlement, creative businesses see themselves as contributors whose role is to give something of themselves. For creative businesses the size of the potential impact is no deterrent to contribution.

Creations out of the Blue Ltd. is a small community cooperative nestled in an isolated area of NSW, Australia. Located in a community where rates of drug addition, domestic violence and unemployment are amongst the highest in the state, this business makes all the difference. Run by 12 local women, the business provides a place where the women can contribute their art and craft skills to others, and generate an income from the sale of their works.

Creative businesses are not limited by the notion that contribution has to be big and grand, or that it only happens in board rooms. Like Creations out of the Blue, a creative business actively sets out to identify and mobilize the strengths available to it. A creative business has the talent for recognizing potential and talents in situations that others see as "hopeless". These businesses create real change in the world by recognizing the importance of their own contribution, and the contribution of the people who it is connected to.

Principle 9: Commune & Imajica.

The principle of communing expands from the principle of connection to others, and encompasses connection to whole environments and across time. Businesses who employ the principle of communing understand that creativity arises out of a sense of knowing where we came from and what our place is in the world today.

Imajica is a small sailing charter business operated by Jesse Martin, off a remote island to the north of the Papua New Guinea mainland. Jesse first came to attention when he became the youngest person to sail solo around the world. With Imajica Jesse continues to change the world by providing people with the opportunity to remove themselves from the distractions of modern life, and reconnect with their true nature.

Businesses like Imajica understand that creative potential emerges best when people have the space both to go within, and to connect beyond. The principle of communion challenges each business to reexamine its physical spaces and its relationships with the built and natural environments, in order to both generate creativity and to create change.

Principle 10: Celebration & Circus Ethiopia.

The ultimate reason that creative businesses work toward their vision is, presumably, to bring about a way of life that is worth living. The change that many creative businesses dream of may not come within one lifetime. The principle of celebration serves to remind us what we are working toward, and of the progress we have made so far.

The Ethiopian Circus is a shining example of a business who understand the role of celebration in creating change. In stark contrast to the environmental and political setting where they are located, the circus is a place of joy and excitement. Its cast is made up entirely of children, and the business started out by teaching its performers to juggle with stones.

Circus Ethiopia is a wonderful reminder that it is joy that gives meaning our lives and purpose to our work. In turn, it is joy and meaning that are the staples sustaining our creative potential, our courage, and our commitment to change for the long-haul.




This article provides only a brief overview of a tiny sample of the thousands of creative businesses working to change our world. Any number of businesses could have been included in this article. The Creative Life Website is dedicated to providing support, resources and inspiration for individuals, families and businesses working toward a more creative, authentic and hopeful future. If you know of a creative business, let us know and we will be only too happy to include them as a detailed case study on our website.

For 18 years Mary has worked with communities, families, schools and organisations affected by poverty, war, child abuse, torture, geographic isolation, natural disaster and displacement to transform their futures. She is the author of The Ten Principles of a Creative Life [http://www.creativelife.citymax.com/books.html] and the creative life website.



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Friday, 1 July 2011

How Social Media is Changing Our Lives [Videos]

Ads by Google | Posted on 28/06/2011

Social Media Revolution has changed our life. We live in the age of Facebook, Twitter, Youtube and Google – strong forces which guide the way we behave, work, have fun and live our lives everyday.

Erik Qualman from Socialnomics has a deep understanding of this social media change and has created some amazing videos which highlight the ongoing social media revolution. Embedded below is the latest social media video from the 3 part series.

Video below was the second video of the series in 2010.

And below was the social media revolution in 2009.

Social media is changing the way we live. Have you embraced Facebook, Twitter, Google into your life…

After reading this article, readers liked these articles Using Social Media for Better Customer ManagementHow to Secure Your First Social Media Consulting Gig6 Reasons Why Social Media Trumps SEOHow to Influence Social Media Influencers5 Steps To Maximize Your Social Media ResultsHow to Use Forums as Social Media Marketing ToolsDangers of Social Media Addiction [Video]
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Thursday, 23 June 2011

To Save Electricity Japan Is Changing Everything From Office Hours To Dress Code




japan shibuya

Japan has asked corporations to cut electricity use by 15% in the wake of the nuclear crisis, according to the LA Times.


Most of these measures seem like good ways for any country to save power.


They include:



  • Starting work one hour earlier, which means fewer workers at the office in the afternoon when energy use peaks



  • Discouraging dark suits and ties this summer, while encouraging casual clothing



  • Reducing the use of air conditioning



  • Closing some elevators



  • Dimming neon lights and electric billboards


The government is taking the lead with a pledge to reduce power use in its buildings by 25%.


Sometimes it takes a crisis to fuel a green movement. Remember the American WW2 posters: "When you ride alone you ride with Hitler."


Don't miss: 11 Simple Ways To Go Green At Your Office >


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